The following analysis reveals a comprehensive look at the Storyform for Rear Window.Unlike most of the analysis found here—which simply lists the unique individual story appreciations—this in-depth study details the actual encoding for each structural item. This also means it has been incorporated into the Dramatica Story Expert application itself as an easily referenced contextual example.
Simply put, Rear Window is a great film, perhaps one of the finest ever committed to celluloid. All of the elements are perfect (or nearly so), including the acting, script, camerawork, music (by Franz Waxman), and, of course, direction. The brilliance of the movie is that, in addition to keeping viewers on the edges of their seats, it involves us in the lives of all of the characters, from.
For all intents and purposes, Rear Window is a film about voyeurism, so it makes sense that Hitchcock's approach to the film would be to force audiences to become voyeurs.And there are a lot of cinematic elements at play in Rear Window that help put audiences into the role. Set design The set is designed to give you an easy map to follow of their surroundings.
Rear Window (1954) is an intriguing, brilliant, macabre Hitchcockian visual study of obsessive human curiosity and voyeurism. John Michael Hayes' screenplay was based on Cornell Woolrich's (with pen-name William Irish) original 1942 short story or novelette, It Had to Be Murder. This film.
I love Rear Window. Love, love, love it. And clearly for good reason: It has some of the best cinematography I have ever seen. Like Jeff (James Stewart), the audience is also confined to a limited apartment space, and cannot see beyond the edges of Jeff’s vision. Since he is immobile, this restricts the field of vision to a very narrow one, especially since, with the exception of when Jeff.
Rear Window movie poster. Each window opens a unique narrative to Jefferies; he even gives the characters titles as he follows their lives. There is Miss Torso, a beautiful dancer, Miss Lonely Hearts, a loveless bachelorette, a young newlywed couple, a songwriter and most notably a salesman living with his bedridden wife.
One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of.
Rear Window (1954) Invasion of the Body Snatchers (1956). 1. (a) Identify one genre convention used in your chosen film. (1) (b) Briefly outline why conventions are used in genre films. (4) (c) Explore how the convention you have identified is used in one sequence from your chosen film. In your answer, refer to at least one key element of film.